We cover plenty of new games here at Gamezebo every week, but the number of games we've already covered that show up on new platforms? It's staggering. This Wednesday and every Wednesday, Gamezebo is rounding up the games that aren't quite new, but might be new to you depending on your platform of choice. And who doesn't love new(ish) games?

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If you had a stalker, and if one day this stalker told you he had hidden nine pieces of a treasure map in various places around the local National Park, then you'd probably want to find out just what the hell his deal was, right? Well so does the narrator and "misanthropic gamer" in Alone in the Park, a very low-key adventure game that functions more like a riveting visual novel than anything else. With sharp, succinct writing and lighthearted adventuring puzzles, this is one interactive experience that will weave its winding footsteps into your mind and stay there until every last inch of that park is explored.

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Superman just can't seem to catch a break. First his planet blows up, taking his parents - and his entire society and culture - along with it, and now his new game Man of Steel keeps crashing.

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Cling Thing is the latest physics-puzzler game from Chillingo and Atom-Soft, and this one is all about helping a cutesy little squish creature traverse through various levels by clinging to the sticky walls around him. But even though Cling Thing features a ton of puzzling levels and deeper incentives to keep you clinging and swinging back for more, its vague denotation of "thing" in the title proves to be just as vague and bland as the actual adventure that's contained within.

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Upon first glance, Tribal Quest may seem like an infinite runner starring a guy who looks a bit like Kratos from God of War and who sounds like John Goodman. That assumption is correct, though it tries to be much more. Tribal Quest is presented as a difficult game. A difficulty boost to the genre would be a great thing at times, but much of the game's difficulty stems from its controls and not its design.

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There are blocks moving toward the bottom of the screen and when they get there, you're done. CRUSH! is about as singular, straightforward, and intuitive as games get. While perhaps too determined to strip every atom of superfluity and chaff away, there's a real challenge here for the right sort of people, and a fleeting distraction for the rest of us.

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I get it. Games like Rage of Bahamut are quite good at making money, and game developers need to make money. But there has to be a better way than mimicking the formula. Steel Commanders mixes things up a little, so it's not as big an offender as Reign of Dragons, but it's still tough to get excited about playing what is essentially the same game I've been playing for well over a year now.

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Same as every dog picks up a case of fleas sometime in its life, those of us that play video games on a regular basis have been burned by licensed games at least once. There are no exceptions. As a result, we immediately assume the worst about licensed fare, sometimes prodding at it with a tissue when interaction is necessary. But one benefit to approaching licensed games on the defensive is that it makes the decent games that much easier to appreciate. Despicable Me: Minion Rush, for example, is an endless running game that's well-polished and surprisingly charming.

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The latest adventure game book from Tin Man Games, Fighting Fantasy: The Forest of Doom is a challenging, but not terribly sophisticated sword-swinging romp through the foreboding, monster-infested Darkwood Forest.

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Depending on who you listen to, Agricola might be the best board game ever. A very substantial portion of the hobby gaming community certainly thought so for a long time, and it's almost undeniably the apex of the heavy, non-random worker placement genre. Now you can decide if you agree by checking it out on iOS.