Added: 12.11.2014 7:20 | 1 views | 0 comments


Save $14.00 on Cardfight Vanguard Rise to Royalty Mega Trial Deck! The price of Cardfight Vanguard Rise to Royalty Mega Trial Deck has been dropped by $14.00, order now from ozgameshop.com with free delivery to Australia and New Zealand.

Added: 11.11.2014 18:30 | 1 views | 0 comments


Nintendo has just revealed a whole bunch of new amiibo figurines that will be rolling out in 2015.

In addition to first-party favorites like Rosalina, Toon Link, and Bowser, gamers can also get a first look at some third-party characters like Sonic and Mega Man. Check out all of the newly-announced figurines below.

Added: 11.11.2014 18:21 | 4 views | 0 comments


Nintendo unveils a new wave of toys, including Mega Man and Sonic.

Added: 11.11.2014 15:30 | 1 views | 0 comments


Nintendo has just revealed a whole bunch of new amiibo figurines that will be rolling out in 2015.

In addition to first-party favorites like Rosalina, Toon Link, and Bowser, gamers can also get a first look at some third-party characters like Sonic and Mega Man. Check out all of the newly-announced figurines below.

Added: 11.11.2014 9:55 | 0 views | 0 comments

Bowser! Shulk! Mega Man! More!

Added: 11.11.2014 8:05 | 5 views | 0 comments


Bowser and Toon Link also join the next wave of Super Smash Bros. characters turned interactive figurines.

Added: 11.11.2014 8:01 | 0 views | 0 comments

Just as Jesus of Nazareth was asked to answer to claims of his divinity, so too does Dragon Age: Inquisition ask you to respond to rumors of your own godhood. As the game opens, you tumble from a rift in the sky, from which onlookers also see a glimpse of a woman. Many believe that the woman must be Andraste, the prophet whose doctrine inspired the rise of the Chantry, yet you have no memory of the event. Perhaps you are a chosen one; perhaps you are merely fortunate. The Maker may know, but His voice continues to go unheard, at least directly; it is up to you, and those you influence, to decide whether you have been marked by a deity. And just as with real-life matters of faith, there is not always a clear resolution.

Dragon Age: Inquisition does not draw subtle parallels between the Chantry and modern-day Christianity. Its references are obvious and sometimes heavy-handed, but clear allegory aside, this vast and engrossing role-playing game effectively explores matters of faith and devotion on an intimate level, surrounding you with a multitude of people, each of whom navigates evolving religious turmoil in his or her own way. The chaos of the world you are thrust into explores the usual Dragon Age themes--the struggle between mages and templars, the role of the Grey Wardens in holding off demonic blights, and the political machinations of the Orlesian elite among them. But the Chantry takes a central role, and the ways in which the dialogue and gameplay decisions allow you to express your own views of faith make Inquisition the most personal game in the series, which is a wonderful revelation given how much real estate it depicts.

It is from tragedy and chaos that the Inquisition is reborn, and it is only appropriate that a fledgling movement appoint a fledgling leader--you--as its head. You tailor your Inquisitor in all sorts of wonderful ways using the game's intricate character creation system; you may even choose from a couple of different voices, even though the character is fully acted. You may even create a Qunari protagonist for the first time in the series, though you needn't mourn the options you didn't choose should you prefer a Dalish elf: your available party members, three of whom can join you at any given time, are a diverse group, and include Iron Bull, a no-nonsense, laid-back Qunari warrior who avoids becoming the gruff, gravelly-voiced stereotype he could so easily have been.

In fact, Dragon Age: Inquisition's characters typically avoid the cliches we've come to know in video games (and in fiction in general), which is much of what makes getting to know them, even returning ones, such a pleasure. Cassandra is primarily known for her interrogation of Varric, that dwarven teller of tall of tall tales, in Dragon Age II; in Inquisition, her stubbornness takes a beautifully human shape. She is driven not by power, but by law, and as she examines her faith during a time of upheaval, her questioning is poignant. That she believes is her most admirable trait, though it's this same trait that has her frequently confronting Varric with such aggression. Hearing the two bicker as they follow you across verdant meadows and through dim caverns is one of Inquisition's highlights.

The ways in which the dialogue and gameplay decisions allow you to express your own views of faith make Inquisition the most personal game in the series.

Of course, keeping these two in your party means leaving others behind, and it's hard not to miss Varric's hairy chest, which is almost a character unto itself. I grew to appreciate a mysterious spirit named Cole most of all, not just because of his talent with dual daggers, but for his overwhelming compassion for others. He reads minds, often communicating the thoughts and emotions he uncovers in a stream-of-consciousness poetry, fragmented and alliterative. Cole comforts people in need, but wipes memories of him from their minds, in a touching show of selflessness.

Dragon Age: Inquisition treats its characters with great respect; Iron Bull's description of sex among the Qunari is as honest as his admiration of a transgender mercenary is honorable. Your choices when speaking to your cohorts, as well as when adventuring, meet with their disapproval or approval, sometimes even when the character in question isn't there to witness the event. (It's odd to be immediately notified that Varric appreciates how you have destroyed a deposit of the dangerous mineral red lyrium even when he isn't at your side when it occurs.) Romance might ensue, presuming you earn the favor of the character you most fancy, though there is always the chance of a broken heart. As is the case with most BioWare games, many previous choices are inescapable; encouraging my lover to make the world a better place ultimately led to our split. In that moment, I recalled losing Alastair to a greater cause in , in that you have access only to a few different archetypes, and gradually earn more characters, more skills, and more items to boost you and your teammates in battle. (Of course, you can also purchase loot caches if you wish to hurry the process. It wouldn't be a modern big-budget game without a raft of microtransactions.) Matches are straightforward sojourns through three different maps focused exclusively on eliminating enemies, and while the enemies may differ, the pace is straightforward. Mass Effect 3 garnered a dedicated online following; Dragon Age: Inquisition's moment-to-moment gameplay doesn't have the same immediacy and spark, making it a fine bit of light entertainment, but unlikely to inspire the same devotion.

Inquisition's characters and world, on the other hand, recall the grand gestures of the original Dragon Age, even though the game as a whole is so structurally different to its predecessors. It offers the thrill of discovery and the passion of camaraderie. It features a glee club called The Sing-Quisition, and a dwarf with writer's block. It establishes connections with its world in big ways and small, with the sight of a titanous temple and the smirk of an Orlesian commander in love. Dragon Age: Inquisition is a wonderful game and a lengthy pilgrimage to a magical world with vital thematic ties to one we already know.

Added: 11.11.2014 8:01 | 1 views | 0 comments

Just as Jesus of Nazareth was asked to answer to claims of his divinity, so too does Dragon Age: Inquisition ask you to respond to rumors of your own godhood. As the game opens, you tumble from a rift in the sky, from which onlookers also see a glimpse of a woman. Many believe that the woman must be Andraste, the prophet whose doctrine inspired the rise of the Chantry, yet you have no memory of the event. Perhaps you are a chosen one; perhaps you are merely fortunate. The Maker may know, but His voice continues to go unheard, at least directly; it is up to you, and those you influence, to decide whether you have been marked by a deity. And just as with real-life matters of faith, there is not always a clear resolution.

Dragon Age: Inquisition does not draw subtle parallels between the Chantry and modern-day Christianity. Its references are obvious and sometimes heavy-handed, but clear allegory aside, this vast and engrossing role-playing game effectively explores matters of faith and devotion on an intimate level, surrounding you with a multitude of people, each of whom navigates evolving religious turmoil in his or her own way. The chaos of the world you are thrust into explores the usual Dragon Age themes--the struggle between mages and templars, the role of the Grey Wardens in holding off demonic blights, and the political machinations of the Orlesian elite among them. But the Chantry takes a central role, and the ways in which the dialogue and gameplay decisions allow you to express your own views of faith make Inquisition the most personal game in the series, which is a wonderful revelation given how much real estate it depicts.

It is from tragedy and chaos that the Inquisition is reborn, and it is only appropriate that a fledgling movement appoint a fledgling leader--you--as its head. You tailor your Inquisitor in all sorts of wonderful ways using the game's intricate character creation system; you may even choose from a couple of different voices, even though the character is fully acted. You may even create a Qunari protagonist for the first time in the series, though you needn't mourn the options you didn't choose should you prefer a Dalish elf: your available party members, three of whom can join you at any given time, are a diverse group, and include Iron Bull, a no-nonsense, laid-back Qunari warrior who avoids becoming the gruff, gravelly-voiced stereotype he could so easily have been.

In fact, Dragon Age: Inquisition's characters typically avoid the cliches we've come to know in video games (and in fiction in general), which is much of what makes getting to know them, even returning ones, such a pleasure. Cassandra is primarily known for her interrogation of Varric, that dwarven teller of tall of tall tales, in Dragon Age II; in Inquisition, her stubbornness takes a beautifully human shape. She is driven not by power, but by law, and as she examines her faith during a time of upheaval, her questioning is poignant. That she believes is her most admirable trait, though it's this same trait that has her frequently confronting Varric with such aggression. Hearing the two bicker as they follow you across verdant meadows and through dim caverns is one of Inquisition's highlights.

The ways in which the dialogue and gameplay decisions allow you to express your own views of faith make Inquisition the most personal game in the series.

Of course, keeping these two in your party means leaving others behind, and it's hard not to miss Varric's hairy chest, which is almost a character unto itself. I grew to appreciate a mysterious spirit named Cole most of all, not just because of his talent with dual daggers, but for his overwhelming compassion for others. He reads minds, often communicating the thoughts and emotions he uncovers in a stream-of-consciousness poetry, fragmented and alliterative. Cole comforts people in need, but wipes memories of him from their minds, in a touching show of selflessness.

Dragon Age: Inquisition treats its characters with great respect; Iron Bull's description of sex among the Qunari is as honest as his admiration of a transgender mercenary is honorable. Your choices when speaking to your cohorts, as well as when adventuring, meet with their disapproval or approval, sometimes even when the character in question isn't there to witness the event. (It's odd to be immediately notified that Varric appreciates how you have destroyed a deposit of the dangerous mineral red lyrium even when he isn't at your side when it occurs.) Romance might ensue, presuming you earn the favor of the character you most fancy, though there is always the chance of a broken heart. As is the case with most BioWare games, many previous choices are inescapable; encouraging my lover to make the world a better place ultimately led to our split. In that moment, I recalled losing Alastair to a greater cause in , in that you have access only to a few different archetypes, and gradually earn more characters, more skills, and more items to boost you and your teammates in battle. (Of course, you can also purchase loot caches if you wish to hurry the process. It wouldn't be a modern big-budget game without a raft of microtransactions.) Matches are straightforward sojourns through three different maps focused exclusively on eliminating enemies, and while the enemies may differ, the pace is straightforward. Mass Effect 3 garnered a dedicated online following; Dragon Age: Inquisition's moment-to-moment gameplay doesn't have the same immediacy and spark, making it a fine bit of light entertainment, but unlikely to inspire the same devotion.

Inquisition's characters and world, on the other hand, recall the grand gestures of the original Dragon Age, even though the game as a whole is so structurally different to its predecessors. It offers the thrill of discovery and the passion of camaraderie. It features a glee club called The Sing-Quisition, and a dwarf with writer's block. It establishes connections with its world in big ways and small, with the sight of a titanous temple and the smirk of an Orlesian commander in love. Dragon Age: Inquisition is a wonderful game and a lengthy pilgrimage to a magical world with vital thematic ties to one we already know.