Just because your world is fire and blood, doesn't mean it should be frustrating. is an excellent open-world adventure full of invigorating car combat and gorgeous (if desolate) locales, but exploring the wasteland can be pretty harsh when you're first starting out. If you're hoping to live long enough to get revenge on the big bad Scrotus - yes, that really is his name - and reclaim your prized black-on-black Interceptor ride, you're going to need every advantage you can get.

So here's your chance to get the leg up on all those anarchic War Boys. These tips should make staying alive in the post-apocalypse infinitely easier, especially when you're first starting out. If you're chipping away at that other big-budget, open-world desert, be sure to check out our . Otherwise, buckle up for a quick crash course in surviving Max's crazy world.

Before you go tuning up the Magnum Opus or worrying about Max's post-apocalypse accoutrements, there's one item you absolutely need: the Jimmy Bar. The moment you've got enough scrap (the de facto currency), head to the 'Tools' section of Max's inventory and treat yourself to this handy appliance. It's not very exciting, given that it's just a crowbar, but you'll need it to open up certain crates, barricaded doors, and secret compartments you'll find strewn across the wasteland, all of which result in precious resources. If you buy the Jimmy Bar straight away, you won't have to worry about coming back to previously inaccessible treasure troves later on.

The mysterious merchant Griffa offers Max many ways to strengthen his inner self, including handy upgrades like increased Health and faster Fury generation. But liquid, be it water or fuel, is your true lifeblood in Mad Max, and you'll want to be as economical as possible with your reserves. To that end, you should make it a priority to boost your Essence and Adaptation abilities during every Griffa visit, which will give you additional bonuses on water and gas consumption, respectively. These stats are infinitely more important than things like extra regen from eating food (which is already sizable) or additional melee damage, as Essence and Adaptation will constantly be saving you from those times when you're running dry and desperately seeking sustenance for your body and/or car.

Your hunchbacked pal Chumbucket specializes in all things mechanical, but he's also an ace with a harpoon cannon. And while it can feel pretty dang cool to slow down time and line up a shot while you stomp the gas pedal, you'll eventually just want to leave the targeting to ol' Chum. Tapping the fire button will let Chumbucket decide what to shoot, and he's awfully smart about his targets; he'll rarely deviate from what you probably wanted/needed him to hit, like the driver of an incoming vehicle or a scarecrow as you go speeding past. Once you make him your designated harpoon gunner, all the car combat will feel a lot faster (and in turn, more exciting).

Mad Max is no platformer, but you'd think the game's tutorial would do a better job teaching you that you can jump. By tapping L2/LT, Max will do a jaunty little hop - nothing that would give Mario a run for his money, but just enough to clear pesky dunes or shin-high blockades. This can be a godsend when you're frustratedly trying to clamber up a rocky hillside, though it won't help you scale ladders or vault up ledges any faster. What's more, there are some History Relics hidden throughout the environment that seemingly require a short jump to access, so if you find one that seems impossibly out of reach, a running jump off of a nearby structure is likely the answer.

Part of clearing out the many encampments that dot the desert is the dismantling of Scrotus insignias, those bright red, skull-on-fire emblems hanging on the walls in each camp. And while most of them are conveniently placed at chest level, where Max can shatter them with a few forceful smacks from his crowbar, a few will be hanging overhead in large rooms, or even mounted on the side of tall towers. Nothing's more annoying than spotting one of these hidden insignias only to realize that you don't have any shotgun shells to blast it down, forcing you to come back later. With that in mind, it's best to save your ammo when fighting your way through each camp, especially early on when your supplies are low - you really shouldn't need any bullets to take down the opposition in the earlier camps. If you're desperate, you could try lobbing a lit gas can at an out-of-reach insignia, though their tricky explosion timing may be just as frustrating.

As you zoom across the wastes, you're sure to encounter Convoys: giant processions of enemy vehicles led by a humongous truck. Chumbucket will make wistful comments about the 'mojo' artifacts carried by the vehicle in the lead, which is actually one of the collectible Hood Ornaments that add a perk to the Magnum Opus (in addition to looking totally sweet). While it can be tempting to try and tussle with these warbands early on, it's akin to automotive suicide in the earlier stages of the game. Instead of trying to chase down convoys and take out the multitude of cars surrounding the lead truck, just leave them alone for the first dozen or so hours until you've tricked out the Magnum Opus in protective gear like spiked hoods and barbed rims. Oh, and when you do finally muster the courage to take on a convoy, remember that harpooning drivers is the quickest way to disable a vehicle (though you'll still need to destroy their ride after the fact).

It takes a lot of scrap to upgrade Max's abilities and the Magnum Opus' parts, and you'll only find so many metal bits on scavenger's corpses or buried in the sands. Taking out encampments has the massive benefit of providing a steady stream of scrap every hour or so, increasing with each camp you overthrow - but the real way to make bank is to complete two specific Stronghold Projects. Building the Scrap Crew makes it so that your scrap income will be collected even when the game's turned off (provided your system is still connected online), while the Cleanup Crew will collect all the scrap from the cars you destroy that would typically be a waste of time to stop and pick up. You'll want to construct these ASAP, so be sure to inspect their glowing, vacant workbenches in each Stronghold to make their part locations spawn on the minimap - just remember that you can only track one project's requisite materials at a time.

Certain upgrades are locked behind a specific region's threat level: the numerical representation of Scrotus' dominion over that area's terrified denizens. Pretty much anything you do - from eliminating snipers to tearing down scarecrows - helps whittle down the current threat level, but the quickest way to establish a foothold is to take out some camps. You can scout out where each camp is located during your hot air balloon rides, then decide which ones you want to take down first based on their difficulty (represented by those skull icons). Just know that if you're chasing after a specific upgrade, you'll have to make sure that you're reducing threat in the correct area (though every bit helps out in the long run).

In most games, sniper rifles are a chance to line up the perfect headshot from a distance - but in Mad Max, those bullets are one-hit kills no matter where they connect. When trying to line up your sights, you should only be focused on getting the hit, rather than where you hit, because each bullet is precious. Gliding the reticle above an enemy will typically give you an auto-aim nudge toward their chest - and that's the shot you want to take. And if a sniper is shooting back at you, keep your cool; it can be tempting to frantically try to nail them before they clip you, but that just makes you more likely to waste your ammunition. Instead, simply drive out of their range and come back later. Same goes for if you run out of ammo, because trying to get out of the car will almost assuredly get you killed (or at least have you dancing and dodging away from incoming shots nonstop).

Ever heard the travel expression "as the crow flies"? That's typically a good rule of thumb when trying to make your way to whatever destination you've highlighted on your map. Like most open-world games, your minimap will highlight the optimal road you want to take in green - but you'll usually make it to your mark much quicker if you just go barrelling off a cliff or two, bypassing the windy trails with some off-roading. Once you've unlocked nitro boosts, you can clear most canyons or cliffs without much trouble, which will save you tons of time while you cruise around the wasteland. And don't worry about wrecking your car, because...

You've got to hand it to Chumbucket: the little fella does good work. No matter what kind of body-shattering, axle-grinding torture you put the Magnum Opus through, Chumbucket can always repair it back to pristine(ish) condition. You can effectively ignore your vehicle's health bar; as long as you get out of the car in time whenever you've taken critical damage, even an all-consuming car fire can be fixed. On top of that, the Magnum Opus will never tip over no matter what kind of death-defying jumps you take, so you won't have to pull a Master Chief and flip over a two-ton vehicle in the middle of a fight.

Not wanting to be outdone by his ride, Max himself is also quite resistant to high heat. If you've just rammed a bandit off the road and want to pick up the scrap from their car's burning remains, go for it - those plumes of orange flame won't leave a scratch on Max or his leather jacket. And though you're not immune to explosions, you can withstand some pretty devastating blasts. For instance, the kind of detonation that'll wipe out all nearby enemies will usually only ding about half of your health bar - so if those War Boys have you backed into a corner near an oil transfer tank or an explosive barrel, might as well blow it and hope for the best.

It would probably be frowned upon if NASCAR or F1 drivers actively tried to kill each other while jockeying for position - but in Crow Dazzle's Death Races, anything goes! Make you sure you load up on shotgun ammo before starting a race, because you're free to blast the exposed gas canisters on the back of your competitors' rides and permanently remove them from the rally. It's not time efficient to take out all the other contestants, but this lethal bit of cheating can be a godsend if you can't seem to pull ahead of the car in front of you. You can even take out the nearest vehicle right at the starting line without anyone - be they racer or event organizer - batting an eye.

If you haven't already heard the news, 2K and Lionsgate Entertainment announced a Borderlands movie last week, and the response has been a resounding "Huh?" As a series that's infamously light on story and heavy on shooting wildly in every direction, Borderlands hardly seems to warrant a film adaptation - even the most generous critics predict at least 40 minutes of the movie will be allotted to weapon respecing.

But before you write it off as a shameless cash-in (months before shooting of any kind starts), consider that a story-centric Borderlands might not be as bad as the internet has thus far decreed. In fact, the so-far-stellar builds itself on a foundation of Borderlands' narrative qualities, proving there's more to this universe than screaming guns and monsters shaped like genitalia. Borderlands has all the pieces of a great movie and while, yes, you can probably expect many minutes of fiery gunfights and crash-bang car chases from Hollywood's Borderlands treatment, that isn't all the screenwriters have to work with.

The world of Pandora at first seems barren and basic, a thin environmental backdrop so you're not just shooting at stick figures running around in white space. But look a few inches past your rifle sight and you'll find a vibrant, living world looking back, its history on display in every blathering Psycho, weapon logo, and normal-looking young woman who goes on regular jaunts through another dimension. But don't take my word for it: a gander at the proves the point just fine.

That leaves the directorial mind behind this adaptation with plenty of room to move in just about any direction they'd like. They could do a straight retelling of any of the series' existing games, recreating the race to open the first Pandoran vault or the mystery of the being called Angel. Or it could rocket off to parts unknown, covering a brand new story from elsewhere in the timeline. Remember how Borderlands: The Pre-Sequel literally took the cast to the moon for the purposes of corporate warfare? There are a lot of options here, is what I'm saying.

While some game movies have to deal with source material that gives them nothing to work with but iron-jawed muscle men in wardrobes of brown and grey, this film will have no such trouble. There's enough wise-cracking robots, assassins who speak in emoticons, and sadistic clowns in low-cut tops in Borderlands that the movie is all but guaranteed an eclectic and memorable cast.

How likeable they are will of course depend on how they're written and cast - if we get a bunch of generic Video Game Heroes that are meant to be audience placeholders, there goes one of the film's great assets down the garbage chute. But if the team behind the film keeps to Borderlands' eccentric and loveable brand of character design (how else do you explain the widespread love for Claptrap and Tiny Tina?), we can expect an ensemble that will keep all eyes on the screen, even if it's just out of morbid fascination.

When you think of Borderlands, you probably picture an endless swath of desert with a run-down, neo-western vibe and way too many corpses. But that's really only a fraction of what Pandora has to offer - sun-scorched wastelands and shantytowns exist alongside lush underground caves, soaring mountain peaks, and idyllic crater lakes. Of course, they're still full of monsters that'll eat you alive (especially the sea monster living in that deceptively lovely basin), but peace isn't the point here. The point is the Borderlands movie will have plenty of gorgeous environments to work with, and can get as creative as it likes with whatever setting(s) it chooses to use.

The only hard and fast rule is that there has to be some kind of monster for the heroes to fight (and we're talking a ). Everything else is up to the writers' (hopefully whacked out) imaginations, and even a globetrotting adventure where the cast explores all of Pandora's ecological wonders could be in the cards. If Tales from the Borderlands can invent a giant garden in the middle of Pandora's arctic circle, then Pandora clearly has no trouble supporting creative new environments and ideas.

This one's a bit tricky, since Borderlands' reliance on memes and dick jokes for its comedy isn't to everyone's taste. But any film that aims to do the series justice will at least try to be funny, and that's an anti-gravity moon leap in the right direction. In a world where too many video game adaptations are humorless and devoid of cheer, we need less Max Payne and more Mortal Kombat; a Borderlands movie has the best chance to deliver.

While it's almost inevitable that a SO I HEARD YOU LIKE GUNS gag will show up at some point, that isn't the only type of humor that works in the Borderlands world. There's also some deft use of screwball comedy and irony that has a lot less juvenile appeal. Sure, monsters called bonerfarts may be a thing, but that's a lot more tolerable when it appears alongside . In terms of being laughed-til-I-cried funny, the Borderlands games give the film a place to start; with luck and with a little smart direction, it could be the Kingsman of video game adaptions. In fact, you know what? Just give Matt Vaughn the job right now.

I said earlier that there's more to Borderlands than guns, but I never said the guns couldn't show up. Borderlands without ridiculous shootouts would be like Metal Gear Solid without plot twists, or Final Fantasy without hair gel - not the series we've come to know and love. A proper jaunt through Pandora is a blood-pumping and blood-spilling experience, full of frantic battles that overflow with colorful destruction and violent glee. It's perfect for a summer action blockbuster, and any production company worth their reels will put that to use.

Borderlands even has an extra leg up in this category over other popular shooters, because there's a ton of variety in how its battles actually look. The heroes aren't always mowing down waves of grunts before jogging to the next checkpoint and doing it all over again. Sometimes they do that, but other times they take down colossal beasts that could crush them into banditcakes, or smash down on packs of moon monsters with the help of limited gravity. When gripes about technical difficulties are no longer part of the equation, the sheer strangeness of Borderlands' action shines.

Look at that handsome SOB. Just look at him, and think about all the evil shit he does while still reveling in the fanbase's love. A dangerous mix of charisma and outright sociopathy, Handsome Jack is easily one of the most complex characters in all of Borderlands, the sort of guy who calls himself a hero then complains that the civilian he just stabbed got blood on his jacket. And even though you're aware he's a mass-murdering, child-abusing, back-stabbing bastard, he's also bizarrely charming, intelligent, and incredibly funny. You fall for his schemes even when you know better.

Basically, he's the Most Interesting Asshole Alive, and no Borderlands movie would be complete without him. Because we need him. We need Handsome Jack.

...Oh. Well, shit.

If you haven't already heard the news, 2K and Lionsgate Entertainment announced a Borderlands movie last week, and the response has been a resounding "Huh?" As a series that's infamously light on story and heavy on shooting wildly in every direction, Borderlands hardly seems to warrant a film adaptation - even the most generous critics predict at least 40 minutes of the movie will be allotted to weapon respecing.

But before you write it off as a shameless cash-in (months before shooting of any kind starts), consider that a story-centric Borderlands might not be as bad as the internet has thus far decreed. In fact, the so-far-stellar builds itself on a foundation of Borderlands' narrative qualities, proving there's more to this universe than screaming guns and monsters shaped like genitalia. Borderlands has all the pieces of a great movie and while, yes, you can probably expect many minutes of fiery gunfights and crash-bang car chases from Hollywood's Borderlands treatment, that isn't all the screenwriters have to work with.

The world of Pandora at first seems barren and basic, a thin environmental backdrop so you're not just shooting at stick figures running around in white space. But look a few inches past your rifle sight and you'll find a vibrant, living world looking back, its history on display in every blathering Psycho, weapon logo, and normal-looking young woman who goes on regular jaunts through another dimension. But don't take my word for it: a gander at the proves the point just fine.

That leaves the directorial mind behind this adaptation with plenty of room to move in just about any direction they'd like. They could do a straight retelling of any of the series' existing games, recreating the race to open the first Pandoran vault or the mystery of the being called Angel. Or it could rocket off to parts unknown, covering a brand new story from elsewhere in the timeline. Remember how Borderlands: The Pre-Sequel literally took the cast to the moon for the purposes of corporate warfare? There are a lot of options here, is what I'm saying.

While some game movies have to deal with source material that gives them nothing to work with but iron-jawed muscle men in wardrobes of brown and grey, this film will have no such trouble. There's enough wise-cracking robots, assassins who speak in emoticons, and sadistic clowns in low-cut tops in Borderlands that the movie is all but guaranteed an eclectic and memorable cast.

How likeable they are will of course depend on how they're written and cast - if we get a bunch of generic Video Game Heroes that are meant to be audience placeholders, there goes one of the film's great assets down the garbage chute. But if the team behind the film keeps to Borderlands' eccentric and loveable brand of character design (how else do you explain the widespread love for Claptrap and Tiny Tina?), we can expect an ensemble that will keep all eyes on the screen, even if it's just out of morbid fascination.

When you think of Borderlands, you probably picture an endless swath of desert with a run-down, neo-western vibe and way too many corpses. But that's really only a fraction of what Pandora has to offer - sun-scorched wastelands and shantytowns exist alongside lush underground caves, soaring mountain peaks, and idyllic crater lakes. Of course, they're still full of monsters that'll eat you alive (especially the sea monster living in that deceptively lovely basin), but peace isn't the point here. The point is the Borderlands movie will have plenty of gorgeous environments to work with, and can get as creative as it likes with whatever setting(s) it chooses to use.

The only hard and fast rule is that there has to be some kind of monster for the heroes to fight (and we're talking a ). Everything else is up to the writers' (hopefully whacked out) imaginations, and even a globetrotting adventure where the cast explores all of Pandora's ecological wonders could be in the cards. If Tales from the Borderlands can invent a giant garden in the middle of Pandora's arctic circle, then Pandora clearly has no trouble supporting creative new environments and ideas.

This one's a bit tricky, since Borderlands' reliance on memes and dick jokes for its comedy isn't to everyone's taste. But any film that aims to do the series justice will at least try to be funny, and that's an anti-gravity moon leap in the right direction. In a world where too many video game adaptations are humorless and devoid of cheer, we need less Max Payne and more Mortal Kombat; a Borderlands movie has the best chance to deliver.

While it's almost inevitable that a SO I HEARD YOU LIKE GUNS gag will show up at some point, that isn't the only type of humor that works in the Borderlands world. There's also some deft use of screwball comedy and irony that has a lot less juvenile appeal. Sure, monsters called bonerfarts may be a thing, but that's a lot more tolerable when it appears alongside . In terms of being laughed-til-I-cried funny, the Borderlands games give the film a place to start; with luck and with a little smart direction, it could be the Kingsman of video game adaptions. In fact, you know what? Just give Matt Vaughn the job right now.

I said earlier that there's more to Borderlands than guns, but I never said the guns couldn't show up. Borderlands without ridiculous shootouts would be like Metal Gear Solid without plot twists, or Final Fantasy without hair gel - not the series we've come to know and love. A proper jaunt through Pandora is a blood-pumping and blood-spilling experience, full of frantic battles that overflow with colorful destruction and violent glee. It's perfect for a summer action blockbuster, and any production company worth their reels will put that to use.

Borderlands even has an extra leg up in this category over other popular shooters, because there's a ton of variety in how its battles actually look. The heroes aren't always mowing down waves of grunts before jogging to the next checkpoint and doing it all over again. Sometimes they do that, but other times they take down colossal beasts that could crush them into banditcakes, or smash down on packs of moon monsters with the help of limited gravity. When gripes about technical difficulties are no longer part of the equation, the sheer strangeness of Borderlands' action shines.

Look at that handsome SOB. Just look at him, and think about all the evil shit he does while still reveling in the fanbase's love. A dangerous mix of charisma and outright sociopathy, Handsome Jack is easily one of the most complex characters in all of Borderlands, the sort of guy who calls himself a hero then complains that the civilian he just stabbed got blood on his jacket. And even though you're aware he's a mass-murdering, child-abusing, back-stabbing bastard, he's also bizarrely charming, intelligent, and incredibly funny. You fall for his schemes even when you know better.

Basically, he's the Most Interesting Asshole Alive, and no Borderlands movie would be complete without him. Because we need him. We need Handsome Jack.

...Oh. Well, shit.