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News with tag Thomas  RSS
This Is My Joystick Podcast: Games Media Award Nominated

Added: 03.08.2013 17:19 | 0 views | 0 comments


This very podcast show has been nominated for a Games Media Award in a category containing heavyweights IGN, GameSpot and Radio 5 Live so a huge great big thank you to all our listeners that nominated us. This Is My Joystick Podcast Host Neil Hickton has been hard at work behind the scenes this month and brings you three more amazing interviews with top developers. He chats with Full Control (Space Hulk), Subterranean Games (War for the Overworld) and Daedalic Entertainment (Memoria). In this podcast the team discuss: What weve been playing New and upcoming releases Interview: Kevin Mentz (Memoria) Interview: James Heinichen (War for the Overworld) Interview: Thomas Hentschel Lund (Space Hulk) Favourite FPS game The Steam Summer Sale

From: n4g.com

Kaboomshark Review: Rogue Legacy

Added: 31.07.2013 18:25 | 0 views | 0 comments


J. Thomas of Kaboomshark writes "If I ever find myself searching for salvation through an endlessly rearranging castle, Im not so sure Id want my children following in my ridiculously stupid delusion stemming from who knows where only to inevitably end up just as dead as I was. On the other hand, it does make for a fun gameplay mechanic, star of the latest and greatest indie game, Rogue Legacy. CellarDoorGames standout project, Rogue Legacy is an amusing pseudo-parody of the recent surge in popularity of the permadeath themed Roguelike-like. Coming as no surprise, Rogue Legacy is one of the most addictive experiences of the year."

From: n4g.com

Indie Devs Respond to Xbox One Self Publishing Policies, "Ton of Questions Still need Answers"

Added: 27.07.2013 14:16 | 9 views | 0 comments


Earlier this week Microsoft announced that indie developers will be able to self-publish their games on Xbox One and every Xbox One retail units can be used as a dev kit for development. Developers behind Limbo, Thomas Was Alone, Jack Lumber, and Halo has commented on this stance of Microsoft and also detailed how this decision of Microsoft will affect gaming industry.

From: n4g.com

Stealth Inc. Interview: Changing Names, Additional Content for PS3/Vita and Sony's Involvement

Added: 26.07.2013 21:17 | 3 views | 0 comments


"Stealth Inc. isn't your typical stealth game - despite the naming. Formerly known as "Stealth Bastard", Curve Studios' little project wants you to associate "getting caught" and "dying" fairly quickly. Of course, being so involved with Sony in bringing the game to PlayStation 3 and PS Vita (the studio also handled the development of Thomas Was Alone to the console and handheld), Curve is quite busy with other things as well."

From: n4g.com

Indies Respond To Xbox One Policies

Added: 26.07.2013 19:33 | 1 views | 0 comments


Developers behind Limbo, Thomas Was Alone, Jack Lumber, and Halo discuss impact of Microsoft's new stance for independent studios and creators.

From: www.gamespot.com

Hotline Miami Review for PSN, PS Vita | Gaming Age

Added: 25.07.2013 0:16 | 6 views | 0 comments


Matthew Pollesel writes: I should probably hate everything about Hotline Miami. It's ridiculously hard, it's brutally violent, and it requires meticulous planning every step of the way. It gives you a letter grade at the end of each level. Its 16-bit graphics revel in their grittiness, its music is heavy on the reverb, and the whole thing is drenched in a cokey neon haze. Here's the thing, though: I love Hotline Miami. I love every little aspect of the game, from its difficulty to its gameplay to its atmosphere. I don't know if I'd call it my mid-year Game of the Year (that's still Thomas Was Alone), but it's most definitely in my Top 3.

From: n4g.com

Hotline Miami Review for PSN, PS Vita | Gaming Age

Added: 24.07.2013 23:17 | 0 views | 0 comments


Matthew Pollesel writes: I should probably hate everything about Hotline Miami. It's ridiculously hard, it's brutally violent, and it requires meticulous planning every step of the way. It gives you a letter grade at the end of each level. Its 16-bit graphics revel in their grittiness, its music is heavy on the reverb, and the whole thing is drenched in a cokey neon haze. Here's the thing, though: I love Hotline Miami. I love every little aspect of the game, from its difficulty to its gameplay to its atmosphere. I don't know if I'd call it my mid-year Game of the Year (that's still Thomas Was Alone), but it's most definitely in my Top 3.

From: n4g.com


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