Added: 27.05.2015 20:17 | 8 views | 0 comments


GotGame writes: What makes Telltale's Game of Thrones episode Sons of Winter so compelling?

Added: 27.05.2015 11:21 | 10 views | 0 comments


At the end of Episode 3: The Sword in the Darkness, Game of Thrones: A Telltale Game Series was in an interesting place. Nearly all of the playable characters were in tough spots, but all of them ended the episode with some hope for the future.

Added: 27.05.2015 8:17 | 6 views | 0 comments


This action-heavy episode does a great job of breaking Telltales Game of Thrones out of its various rutts. Though Miras time in Kings Landing is shorter than usual, everyone else picks up the slack as we see Gared finally embark on his journey north, Rodrik break the cycle of abuse by the Whitehills, and Asher work to gain the favor of Daenerys Targaryen.

Added: 27.05.2015 8:17 | 6 views | 0 comments


Destructoid: "Another episode of Game of Thrones: A Telltale Game Series, another batch of screenshots I took while playing through for review. There weren't any huge twists this episode, so I'm not afraid of spoiling too much, but as always, it is probably best to play through before viewing these. I have omitted only a few for spoiler concerns, but some detail might slip through that you would have rather experienced firsthand."

Added: 26.05.2015 18:09 | 5 views | 0 comments

A friend once joked that HBO's Game of Thrones show should be renamed "A Series of Meetings," given its string of recent episodes featuring more exposition and chatter than action. I'm applying this moniker to Sons of Winter, the fourth episode of

A bit about the presence of the TV show characters: Daenerys is totally out of character. She's mean and hard in ways that she isn't in the TV series; in the show she is firm and always open to listening, but Telltale has made her into a vicious would-be despot. Her scene happens early in the episode and jarred me out of the experience; she just didn't fit, her behavior so off it was harder for me to find my emotional footing for the rest of the episode.

As Telltale's Game of Thrones passes its halfway mark, it takes a bit of a dip, staging a set of scenes that feel less like something you can control and more like something you can only passively watch. There's no real sense of agency in the choices you are offered, other than spinning a conversation in a certain direction before coming full circle to a pre-determined outcome. Sons of Winter feels like more set dressing, but what happens in its last two minutes is strong enough a taster to make you hunger for Episode Five. It's a bit disappointing that the rest of the episode doesn't quite hit the dramatic bar Telltale has already set for itself.

Added: 26.05.2015 18:09 | 8 views | 0 comments

A friend once joked that HBO's Game of Thrones show should be renamed "A Series of Meetings," given its string of recent episodes featuring more exposition and chatter than action. I'm applying this moniker to Sons of Winter, the fourth episode of

A bit about the presence of the TV show characters: Daenerys is totally out of character. She's mean and hard in ways that she isn't in the TV series; in the show she is firm and always open to listening, but Telltale has made her into a vicious would-be despot. Her scene happens early in the episode and jarred me out of the experience; she just didn't fit, her behavior so off it was harder for me to find my emotional footing for the rest of the episode.

As Telltale's Game of Thrones passes its halfway mark, it takes a bit of a dip, staging a set of scenes that feel less like something you can control and more like something you can only passively watch. There's no real sense of agency in the choices you are offered, other than spinning a conversation in a certain direction before coming full circle to a pre-determined outcome. Sons of Winter feels like more set dressing, but what happens in its last two minutes is strong enough a taster to make you hunger for Episode Five. It's a bit disappointing that the rest of the episode doesn't quite hit the dramatic bar Telltale has already set for itself.