Added: 20.07.2015 20:03 | 47 views | 0 comments


Plus a $341 PS4, a $300 Xbox One with Halo, and low prices on a Chromecase, Attack on Titan Part 2, Super Smash Bros for Wii U and 3DS, Chromebooks, and more.

Added: 20.07.2015 13:30 | 6 views | 0 comments

Curve Digital is publishing on Wii U eShop

Added: 20.07.2015 0:02 | 7 views | 0 comments

XLC Gaming Network writes:- F1 2015 marks the franchises debut on the Next-Gen consoles and something fans have been looking forward to for a couple of years. I have played each F1 title up till 2012 missing 2013 and 2014. I was disappointed to hear that F1 2014 title wouldn't make the leap on to Xbox One and PS4 like many. [...] Via Review: F1 2015 – Does This Years Title Make A Podium Finish? [XLC Gaming Network]

Added: 17.07.2015 20:24 | 41 views | 0 comments


Gearbox CEO Randy Pitchford has shed some new details on what to expect from the studio's unannounced, original next-gen game.

Added: 17.07.2015 14:15 | 59 views | 0 comments


This week Aaron (@Ind1fference) and Tiny (@Tiny415) are joined by Pam (@Jasyla_) from Cannot Be Tamed and Slider (@Sliderwave) to talk about: Amazon PrimeDay, CannotBeTamed.com, ConBravo, The Gaming Historian, Jurassic World, Mad Max Fury Road, Jurassic Park, The Road Warrior, Master Chef Australia, The Real World UK, Gordon Ramsey, Wild Woody, Owl and Mouse Mysteries, San Diego Comic Con, Weird Science, Seinfeld, Curb Your Enthusiasm, The Flash, The Death of Superman Lives the Movie, Ketchup Potato Chips, Batman vs Superman Dawn of Justice trailer, Deadpool trailer, Fantastic Four trailer, Man-Thing, Swamp Thing, Suicide Squad trailer, Attack on Titan trailer, Sense8, Metal Gear Scanlon, Retron 5, Chappie, Rare Replay, District 9, Elysium, Short Circuit, Game Critics, Ant Man, Terminator Genisys, Satoru Iwata, Kick and Fennick, The Fall, The Witcher 3, Hand of Fate, Parasite Eve, Heroes of the Storm, Ori and the Blind Forest, The Lost Vikings, Batman Arkham Knight, Lego Jurassic Wo...

Added: 15.07.2015 13:15 | 4 views | 0 comments


What's the one game this generation that has generated countless hours of entertainment for you? Is it Bloodborne or maybe The Witcher 3?

Added: 15.07.2015 4:15 | 2 views | 0 comments


The upcoming PS4 exclusive Everybodys Gone to the Rapture is known not only for lovely graphics and an intriguing story, but also for a peculiarly long title.

Added: 14.07.2015 14:15 | 11 views | 0 comments


Carl Williams writes, "Earlier today, Wadjet Eye Games updated their Shardlight photo album on Facebook with 10 new photos of the game. The pics show off various new sections, possible new characters and new settings we can expect in the final game. Also, the release date is now listed as late 2015, still in line with previous reports that it would be released in the second half of 2015. Wadjet EyeGames continue their dominance of the point and click adventure genre with Shardlight which will be available for Windows."

Added: 14.07.2015 8:00 | 22 views | 0 comments

It's one of the most thrilling openings in all of video games. As warrior-turned-deity-killer Kratos, you climb the Titan Gaia, who functions as a colossal, moving level upon which you battle Poseidon, the god of the sea. Gaia herself is one of Kratos' few remaining allies; her cries of pain pierce the air as you swing your chained blades, launching ghoulish soldiers into the air and slicing away at Poseidon and his many-legged steed. It is all sound and fury, almost unparalleled in its sense of scale and its translation of a protagonist's anger into bloody, brutal interactions. When Kratos strikes his final blow, you see it not from his perspective, but from his victim's point of view, in the first person. It's a striking and vicious design choice that sets the tone for the game to follow. You are no longer conquering the Greek gods as an enraged antihero, but as a full-on villain.

The question, then, is this: How could Definitely not God of War III's biggest boss. Still big, though.

This isn't the first time you use a corpse in such a way in the God of War series, but it's more striking in God of War III because Kratos has no shred of mercy remaining within him--not at this stage. Previous games allowed Kratos his humanity, Chains of Olympus' Elysium Fields sequence being an excellent example. While Kratos has never been a hero in the usual sense of the term, we have seen the source of his torment, and watched Athena refuse to set him free from his nightmares. Here, Kratos is a one-note killing machine, and we are left only with what we know from previous games to provide context. The smidgen of mercy Kratos shows towards a daughter figure in the final hours, and the accompanying message of hope, is not earned given how little development the character shows in God of War III up to that point--and reminds us that for Kratos, women are whores, wives, daughters, or paperweights. Full-on cruelty was always in the cards, but it makes Kratos difficult to root for, particularly if this is your first God of War experience.

Then again, this is not a series known for its sophisticated storytelling. Kratos is the vessel for an instinctive kind of gameplay that is rarely this successful. Your rewards for following God of War III's linear trail are genre-defining combat, excellent pacing, and the innate joy of watching enemies spew forth clusters of glowing red orbs when they fall. It's the ever-compelling quest for shinies, accomplished by slamming your cestus into the ground, then gutting a centaur and watching its viscera spill onto the floor. Your reward is more power, which you use to earn more shinies and to see more entrails. That the game finds so many ways to stay consistently fresh within this traditional structure is a feat worthy of the gods.

Added: 14.07.2015 8:00 | 5 views | 0 comments

It's one of the most thrilling openings in all of video games. As warrior-turned-deity-killer Kratos, you climb the Titan Gaia, who functions as a colossal, moving level upon which you battle Poseidon, the god of the sea. Gaia herself is one of Kratos' few remaining allies; her cries of pain pierce the air as you swing your chained blades, launching ghoulish soldiers into the air and slicing away at Poseidon and his many-legged steed. It is all sound and fury, almost unparalleled in its sense of scale and its translation of a protagonist's anger into bloody, brutal interactions. When Kratos strikes his final blow, you see it not from his perspective, but from his victim's point of view, in the first person. It's a striking and vicious design choice that sets the tone for the game to follow. You are no longer conquering the Greek gods as an enraged antihero, but as a full-on villain.

The question, then, is this: How could Definitely not God of War III's biggest boss. Still big, though.

This isn't the first time you use a corpse in such a way in the God of War series, but it's more striking in God of War III because Kratos has no shred of mercy remaining within him--not at this stage. Previous games allowed Kratos his humanity, Chains of Olympus' Elysium Fields sequence being an excellent example. While Kratos has never been a hero in the usual sense of the term, we have seen the source of his torment, and watched Athena refuse to set him free from his nightmares. Here, Kratos is a one-note killing machine, and we are left only with what we know from previous games to provide context. The smidgen of mercy Kratos shows towards a daughter figure in the final hours, and the accompanying message of hope, is not earned given how little development the character shows in God of War III up to that point--and reminds us that for Kratos, women are whores, wives, daughters, or paperweights. Full-on cruelty was always in the cards, but it makes Kratos difficult to root for, particularly if this is your first God of War experience.

Then again, this is not a series known for its sophisticated storytelling. Kratos is the vessel for an instinctive kind of gameplay that is rarely this successful. Your rewards for following God of War III's linear trail are genre-defining combat, excellent pacing, and the innate joy of watching enemies spew forth clusters of glowing red orbs when they fall. It's the ever-compelling quest for shinies, accomplished by slamming your cestus into the ground, then gutting a centaur and watching its viscera spill onto the floor. Your reward is more power, which you use to earn more shinies and to see more entrails. That the game finds so many ways to stay consistently fresh within this traditional structure is a feat worthy of the gods.